Ordinary Saints

Music from the multi-disciplinary collaboration between the painter Bruce Herman, poet Malcolm Guite and composer J.A.C. Redford. The work may be performed as an instrumental suite for chamber orchestra, an abridged suite for a trio consisting of piano, clarinet and cello, or an abridged suite for solo piano. A song cycle for soprano accompanied by one of these three instrumental combinations features settings of six of Malcolm Guite's poems for the project. Individual pieces or small groupings may also be performed. More detail may be found below under Voicing/Instrumentation.

Duration: 45' (suite) / 27' (abridged suite) / 17' (song cycle)
Difficulty: 3/5 (Difficulty Rating Overview)

  • 01. The Light We Never Noticed (3:48)

  • 02. Ordinary Saints (2:56)

  • 03. Summoning Beauty (4:48)

  • 04. Here Is Your Father (3:01)

  • 05. Red Over Gold (3:19)

  • 06. Unveiling Shapes (2:54)

  • 07. Firefly (2:55)

  • 08. Sitting for Bruce (3:16)

  • 09. Signs of Joy (2:22)

  • 10. Crossing the Lines (2:21)

  • 11. Scathing Grace (3:37)

  • 12. A Shared Motif (2:32)

  • 13. His Piercing Glance (2:29)

  • 14. Ordinary Saints: Epilogue (2:42)

Visit the Ordinary Saints website at ordinary-saints.com.
View the portraits while listening to the accompanying poetry and music at Ordinary Saints / The Program.
Listen to the music at Ordinary Saints / J.A.C. Redford.


Readers of Image may listen to the music referenced in issue #100 on pages 112-113 by clicking on the recordings of "Summoning Beauty" and "His Piercing Glance." "Summoning Beauty" is responsive music to Bruce Herman's self portrait and the live recording features Malcolm Guite reading his poem over the music. "His Piercing Glance" was composed in response to Bruce's portrait ofJeremy Begbie.

  • Ordinary Saints: Suite for Chamber Orchestra

    1 Flute

    1 Oboe (doubling Cor Anglais)

    1 Clarinet

    1 Bassoon

    1 Horn

    1 Piano

    2 Violins

    1 Viola

    1 Cello

    1 ContraBass

    01. The Light We Never Noticed (3:48)

    02. Ordinary Saints (2:56)

    03. Summoning Beauty (4:48)

    04. Here Is Your Father (3:01)

    05. Red Over Gold (3:19)

    06. Unveiling Shapes (2:54)

    07. Firefly (2:55)

    08. Sitting for Bruce (3:16)

    09. Signs of Joy (2:22)

    10. Crossing the Lines (2:21)

    11. Scathing Grace (3:37)

    12. A Shared Motif (2:32)

    13. His Piercing Glance (2:29)

    14. Ordinary Saints: Epilogue (2:42)

    Duration: 45'

    Ordinary Saints: Suite for Trio

    Piano

    Clarinet

    Cello

    1. The Light We Never Noticed (3:48)

    2. Summoning Beauty (4:48)

    3. Unveiling Shapes (2:54)

    4. Sitting for Bruce (3:16)

    5. Signs of Joy (2:22)

    6. Crossing the Lines (2:21)

    7. Scathing Grace (3:37)

    8. His Piercing Glance (2:29)

    Duration: 27'

    Ordinary Saints: Suite for Solo Piano

    1. The Light We Never Noticed (3:48)

    2. Summoning Beauty (4:48)

    3. Unveiling Shapes (2:54)

    4. Sitting for Bruce (3:16)

    5. Signs of Joy (2:22)

    6. Crossing the Lines (2:21)

    7. Scathing Grace (3:37)

    8. His Piercing Glance (2:29)

    Ordinary Saints: Song Cycle for Soprano

    Accompanied by Chamber Orchestra, Trio, or Piano as listed above.

    1. Ordinary Saints (2:56)

    2. Firefly (2:55)

    3. Here Is Your Father (3:01)

    4. Red Over Gold (3:19)

    5. A Shared Motif (2:32)

    6. Ordinary Saints: Epilogue (2:42)

    Duration: 17'

  • Ordinary Saints

    Ordinary Saints is a multi-disciplinary collaboration between the painter Bruce Herman, poet Malcolm Guite and composer J.A.C. Redford.

  • Ordinary Saints: Song Cycle for Soprano

    Ordinary Saints

    Malcolm Guite (1957- )

    The ordinary saints, the ones we know,

    Our too-familiar family and friends,

    When shall we see them? Who can truly show

    Whilst still rough-hewn, the God who shapes our ends?

    Who will unveil the presence, glimpse the gold

    That is and always was our common ground,

    Stretch out a finger, feel, along the fold

    To find the flaw, to touch and search that wound

    From which the light we never noticed fell

    Into our lives? Remember how we turned

    To look at them, and they looked back? That full-

    Eyed love unselved us, and we turned around,

    Unready for the wrench and reach of grace.

    But one day we will see them face to face.

    Firefly

    Malcolm Guite (1957- )

    In every child a cosmos is concealed

    In every child a cosmos is revealed

    Firefly! Firefly!

    Dancing light in my sky,

    Let me dance where you fly

    Kindle, little firefly,

    Sparks that dance as thoughts fly,

    Light the way my firefly,

    And by your light I'll lead you

    In the dance

    And a little child shall lead them

    In the dance.

    And a little child shall lead us

    To dance before the fountain

    That rises before we rise

    That plays before all time flies

    That conjures before our eyes

    The stars up in the night skies,

    For galaxies are fireflies,

    Beneath God's holy mountain,

    And a little child shall lead us

    In the dance

    And a little child shall lead them

    In the dance.

    And a little child shall lead us

    And in green pastures feed us

    For he alone has freed us

    And a little child shall lead us

    In the dance

    Firefly! Firefly!

    Dancing light in my sky

    Let me dance where you fly

    Kindle, little firefly,

    Sparks that dance as thoughts fly,

    Light the way my firefly,

    And by your light you’ll lead me

    In the dance.

    Portrait of the Artist's Father

    Malcolm Guite (1957- )

    Here is your father, looking out at us

    From this dark room where shadows furl and fold,

    Patiently present to whoever comes,

    Still on his battered sofa, at his ease.

    He looks out from the darkness of the world,

    The copper blotch and mottle of old time

    Whose tarnishes and patina reveal

    Strange beauty in the saints we love and leave,

    Whose leaving leaves us burnished as we grieve.

    He meets us here, at home in his own skin,

    Which holds more colours than the eye can trace,

    More substance, more humanity and grace

    Than paint on wood can possibly contain,

    All in the clarity of his kind face.

    Portrait of the Artist's Mother

    Malcolm Guite (1957- )

    Red over gold and under gold a wound

    Whence life itself in blood and water flows,

    A branch is broken but the tree still grows.

    The scar is over-layered with bark, a space

    That opens through the gold to blood-stained ground.

    And now the wood itself presents her to us,

    That wound above her opens out to us,

    But cannot yet disclose its inwardness,

    So she herself, beneath it, leaning out,

    And looking past us is still holding in,

    The singing soul still shining through her skin.

    A different darkness and a different light

    Kindle her eyes, which hold us for a while,

    And see more sorrow than there's time to tell.

    A Shared Motif – A portrait of the Shaw family

    Malcolm Guite (1957- )

    To be a person is to be a gift,

    Given in love. For each of us receive

    The gift of being from another and we lift

    Each other into light with every glance,

    Given and returned in this long dance.

    We have become ourselves through fathers, mothers,

    All whose traces, and whose grace-notes, leave

    Us all the more the people that we are.

    Playing for others, in our turn, we hear

    Our own tune, in a new key, played by others.

    So with this family: each at their ease,

    Relaxed within themselves, and yet aware

    Of one another, as a simple grace

    Sounds its soft motif through the quiet air.

    Ordinary Saints: Epilogue

    Malcolm Guite (1957- )

    And now we turn our eyes from wood and paint

    To contemplate the saints in flesh and blood,

    The ones who’ve seen these pictures with us. Faint

    Traces of God’s image, and his glad

    Presence in humanity, have shone

    Awhile for us in paintings on a wall,

    The dark glass brightened, and the shadows gone.

    How shall we know each other now? Will all

    That we have seen recede to memory?

    Or is our sight restored, and having gazed

    On icons in this place, will clarity

    Transfigure all of us? We turn, amazed,

    To see the ones beside us, face to face,

    As living icons, sacraments of grace.

  • Ordinary Saints was premiered on 27 October 2018 at Laity Lodge in the hill country northwest of San Antonio, Texas by Bruce Herman, Malcolm Guite and J.A.C. Redford, with Bethany Ring (soprano), Amber Salladin (piano), Nathan Williams (clarinet) and Steuart Pincombe (cello).

    The solo piano version of the opening segment of the suite, The Light We Never Noticed, was premiered by HyeJin Kim on 21 October 2018 at SOKA Performing Arts Center in Southern California.

    An abridged version of the Ordinary Saints program for soprano, piano, clarinet and cello took place on 29 October 2021 at St. George’s Episcopal Church in Nashville.Ordinary Saints

    Complete programs with soprano and a chamber orchestra conducted by the composer were presented in 2022 on 27 March at Park Cities Presbyterian Church in Dallas, on 1 August at Wesley Memorial Church in Oxford, England, and on 1 October at Gordon College in Wenham, Massachusetts.

    The Suite for Chamber Orchestra was recorded on 12 October 2018by the Windhover Chamber Artists directed by J.A.C. Redford and may be heard on the Ordinary Saints website, along with live recordings of the premiere performance.

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Of Mercy and Judgment